 A key feature of the Rustic Hutch is the texturing on the doors and drawer front, providing contrast and adding visual interest to the project. To get the look, I first used an angle grinder to gouge channels into the pieces. After painting the hutch, I used sandpaper to reveal the bare wood beneath.
A key feature of the Rustic Hutch is the texturing on the doors and drawer front, providing contrast and adding visual interest to the project. To get the look, I first used an angle grinder to gouge channels into the pieces. After painting the hutch, I used sandpaper to reveal the bare wood beneath. 
 Using a wood shaping disc, I cut into the faces of the doors and drawer front. I shaped the channels randomly, following the grain while varying the angle and depth, as in Figure 1 and detail ‘b.’ Working back and forth over the piece, I slowly moved across. My goal here was to imitate natural weathering and wear, so I made sure to avoid working in any kind of pattern.
Using a wood shaping disc, I cut into the faces of the doors and drawer front. I shaped the channels randomly, following the grain while varying the angle and depth, as in Figure 1 and detail ‘b.’ Working back and forth over the piece, I slowly moved across. My goal here was to imitate natural weathering and wear, so I made sure to avoid working in any kind of pattern.
 The second step came after painting the hutch. Once the paint had dried, I sanded over the textured faces to reach some of the pine beneath. As with the initial texturing, I sanded in a random fashion, revealing smatterings of bare wood across the pieces. Then I applied lacquer for an even sheen. What I was left with was an eye-catching pair of contrasts: the distressed faces against the smooth face frames, and the subtle lines of yellow pine peeking out from behind the matte red paint.
The second step came after painting the hutch. Once the paint had dried, I sanded over the textured faces to reach some of the pine beneath. As with the initial texturing, I sanded in a random fashion, revealing smatterings of bare wood across the pieces. Then I applied lacquer for an even sheen. What I was left with was an eye-catching pair of contrasts: the distressed faces against the smooth face frames, and the subtle lines of yellow pine peeking out from behind the matte red paint.
 
             
                






 
 
